For the next two weeks, we'll be featuring posts from our extensive blog archives. Today's post was written by Meghan Hansen, FIDM Museum Registrar, in 2009. In this post, she dives into our fragrance archive with an investigation into a counterfeit Chanel No. 5 box and bottle. ********** “Bathtub Perfume Traps Pool Shark”1 “Pair Arrested in Sale of 11c Perfume for $15”2 These headlines suggest the rampant problem of piracy in the perfume industry, a criminal activity prevalent in any field in which luxury goods are involved. For an example of the legal battles that can ensue from the selling of pirated fashions, check out this New York Times blog post. Though Chanel’s fragrances were not the only French perfumes targeted by counterfeiters, Chanel No. 5 consistently turns up in smuggling arrests, counterfeit busts, and consumer warnings about cheap perfume scams. Chanel No. 5 has a cachet that everyone wants, but where does this reputation come from? Counterfeit Chanel No. 5 Bottle and Boxc. 1950-1959Gift of Annette GreenF2005.860.986AB
Our post today was researched and written by FIDM Museum Registrar, Meghan Grossman Hansen! In the Least Likely of Places: Discovering Counterfeit Chanel No. 5 in a Museum Collection“Bathtub Perfume Traps Pool Shark”1 “Pair Arrested in Sale of 11c Perfume for $15”2 These are just a few headlines that tell us about the rampant problem of piracy in the perfume industry, a criminal activity that is prevalent in any field in which luxury goods are involved. For an example of the legal battles that can ensue from the selling of pirated fashions, check out this New York Times blog post. Though Chanel’s fragrances were not the only French perfumes targeted by counterfeiters, Chanel No. 5 consistently turns up in smuggling arrests, counterfeit busts, and consumer warnings about cheap perfume scams. Chanel No. 5 has a cachet that everyone wants, but where does this reputation come from? Counterfeit Chanel No. 5 Bottle and Boxc. 1950-1959Gift of Annette GreenF2005.860.986AB
FIDM Museum
In spring 2022, Bard Graduate Center (BGC) assistant professor Michele Majer retired after twenty-eight years as a member of the faculty. She taught the history of dress and textiles, and during her tenure many BGC students formed lasting relationships with her. As a tribute to her illustrious career and her impact, current MA student Mackensie Griffin gathered several BGC alumni (Emma Cormack MA ’18, Billy DeGregorio PhD ’21, Kirstin Purtich MA ’15, and Leigh Wishner MA ’01) together with Michele on Zoom to share their memories of studying and working with her.
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